The paper investigates the narrative mechanisms related to the ‘restart’ in Euripides, whose tragedies often have happy endings. The ‘restart’, which can be understood as the change from bad to good fortune, takes different forms in tragedy: ‘individual’ if it concerns the individual character, ‘collective’ if it involves the entire polis; ‘successful’ if the change is realized, ‘failed’ if the change remains at the level of mere attempt. Three different types of restart can be identified in the lost dramas: the restart following prophecies and oracles; the restart coinciding with the liberation and salvation of one or more characters; and, finally, the restart leading to the founding of a city. A peculiar case is represented by Phrixus A and B, examined here, in which multiple types of restart coexist.
Ripartenze nelle tragedie frammentarie euripidee
Nadia Rosso
2024-01-01
Abstract
The paper investigates the narrative mechanisms related to the ‘restart’ in Euripides, whose tragedies often have happy endings. The ‘restart’, which can be understood as the change from bad to good fortune, takes different forms in tragedy: ‘individual’ if it concerns the individual character, ‘collective’ if it involves the entire polis; ‘successful’ if the change is realized, ‘failed’ if the change remains at the level of mere attempt. Three different types of restart can be identified in the lost dramas: the restart following prophecies and oracles; the restart coinciding with the liberation and salvation of one or more characters; and, finally, the restart leading to the founding of a city. A peculiar case is represented by Phrixus A and B, examined here, in which multiple types of restart coexist.| File | Dimensione | Formato | |
|---|---|---|---|
|
Rosso_Dell_Orso_Sophia_2024.pdf
file disponibile agli utenti autorizzati
Licenza:
Copyright dell'editore
Dimensione
171.72 kB
Formato
Adobe PDF
|
171.72 kB | Adobe PDF | Visualizza/Apri Richiedi una copia |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


