Lope de Vega‘s strategies of self-promotion deeply affect Partes de comedias published under the poet’ supervision. The range of addressees is varied and the link between play and dedication is not always the same; in many cases it isn’t evident eather. The aim of this paper is to identify the different connections between text and paratext. It’s a matter of fact that Lope resorts to all the possible strategies and possibilities inherent to Baroque esthetic to emphasize his skills as a brilliant and learned writer.
Rapports de contamination entre texte et paratexte dans les Partes de comedias de Lope de Vega
TRAMBAIOLI, Marcella
2014-01-01
Abstract
Lope de Vega‘s strategies of self-promotion deeply affect Partes de comedias published under the poet’ supervision. The range of addressees is varied and the link between play and dedication is not always the same; in many cases it isn’t evident eather. The aim of this paper is to identify the different connections between text and paratext. It’s a matter of fact that Lope resorts to all the possible strategies and possibilities inherent to Baroque esthetic to emphasize his skills as a brilliant and learned writer.File in questo prodotto:
File | Dimensione | Formato | |
---|---|---|---|
texto paratexto.pdf
file disponibile solo agli amministratori
Tipologia:
Documento in Post-print
Licenza:
DRM non definito
Dimensione
8.47 MB
Formato
Adobe PDF
|
8.47 MB | Adobe PDF | Visualizza/Apri Richiedi una copia |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.