This essay introduces the special issue “Transatlantic Literary Transfers in the Second Italian Renaissance: Italian culture in the US in the Postwar Era,” presenting new knowledge on the collaborative, transnational network that emerged between Italy and the United States in the postwar years and facilitated the circulation of Italian literary products in the US. By considering literary objects as a special class of products that participated to the establishment and consolidation of “Made in Italy,” and by showing how Italian literary cultures functioned as vectors of a “new” Italian modernity, the essay claims that the success of “Made in Italy” was due in no small part to a storytelling strategy that emphasized: 1) the strong friendship between the two nations in the context of the new, globalized world; 2) the mobilization of the trope of the Renaissance in the service of a projected continuity between Italian early and “new” modernity.
Transatlantic literary transfers in the Second Italian Renaissance: the circulation of Italian culture in the U.S. in the post-war era
IULI, CRISTINA;CINOTTO, SIMONE
2024-01-01
Abstract
This essay introduces the special issue “Transatlantic Literary Transfers in the Second Italian Renaissance: Italian culture in the US in the Postwar Era,” presenting new knowledge on the collaborative, transnational network that emerged between Italy and the United States in the postwar years and facilitated the circulation of Italian literary products in the US. By considering literary objects as a special class of products that participated to the establishment and consolidation of “Made in Italy,” and by showing how Italian literary cultures functioned as vectors of a “new” Italian modernity, the essay claims that the success of “Made in Italy” was due in no small part to a storytelling strategy that emphasized: 1) the strong friendship between the two nations in the context of the new, globalized world; 2) the mobilization of the trope of the Renaissance in the service of a projected continuity between Italian early and “new” modernity.File | Dimensione | Formato | |
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