The aim of this article is twofold. First, it collects and discusses the evidence that supports A. M. Belardinelli’s identification of the speakers in lines 150–271 of Menander’s Sikyonioi; her reconstruction can also be strengthened and improved upon in some important details. Further, a re-examination of line 169 allows for a new interpretation of the staging of the play: three stage doors need to be active, and the third stage building is a shrine which Eleusinios enters to take part in the sacrifice.
The staging of Menander’s Sikyonioi
Federico Favi
2021-01-01
Abstract
The aim of this article is twofold. First, it collects and discusses the evidence that supports A. M. Belardinelli’s identification of the speakers in lines 150–271 of Menander’s Sikyonioi; her reconstruction can also be strengthened and improved upon in some important details. Further, a re-examination of line 169 allows for a new interpretation of the staging of the play: three stage doors need to be active, and the third stage building is a shrine which Eleusinios enters to take part in the sacrifice.File in questo prodotto:
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